Magani · Mehendi & Haldi · Janti · Bihe

Nepali weddings.

A Nepali wedding day centres on the janti — the arriving side’s procession, once behind a panche baja band — and a ceremony of swayambar, kanyadan and sindur with the pote. While the janti is away, the women at home hold the ratyauli. And more and more, there’s a mehendi and a haldi first.

We’re set up for a Nepali wedding — this is what we’d walk through with you, function by function.

At a Nepali wedding a man in a red-and-white daura suruwal draws sindur along a white cloth over the bowed head of the woman in red, relatives crowding close.
Illustrative photo
A couple exchange garlands at a Nepali engagement, the man in a dhaka topi, in front of red and gold drapes.
Illustrative photo

Magani · Mehendi & Haldi · Janti · Bihe

Every function, covered.

Choose your family’s tradition and how you want to celebrate. Every function, in the order your family will expect — and what we actually bring to each one.

Not quite your wedding? Every tradition we’re built for →

How you want it

Three to five days. The complete run, done properly — every function, elders front and centre, family abroad watching live.

Weeks before

01 / 07

Magani

Also: Magni, Mangni, Engagement

Weeks to months before

The engagement — rings, tika and the families’ formal yes.

A mic and a speaker for the formal part, and as much music after as the families want.

  • Wireless mic
  • Compact PA

2 days before

02 / 07

Mehendi & Haldi

Also: Mehendi, Mehndi, Haldi, Sangeet

Days before

Borrowed from Indian weddings, and now part of most Nepali ones — in Kathmandu and in the Bay Area.

Soft wash lighting, small discreet speakers for the music or the dholki singing, and a livestream for the family overseas who would have been sitting right there.

  • Discreet speakers
  • Wireless mic
  • Soft wash
  • Livestream

The day

03 / 07

Janti

Also: Jaanti, Jantee, Bariyat, Panche Baja

The wedding day

The arriving side sets out — traditionally behind a panche baja band, now as often in a convoy of decorated cars — and is met at the door with some playful blocking.

A live band miked on the move or mobile sound for the procession, and a clean arrival cue at the venue door.

Inside, typically

  1. Sagun
  2. Janti
  3. Welcome at the door
  • Band mics
  • Battery PA
  • Arrival cue

The day

04 / 07

Leads the weekend

Bihe

Also: Biha, Vivah, Nepali wedding ceremony, Swayambar

The wedding day

Garlands of dubo grass for the swayambar, the kanyadan, then the sindur and the pote — the moment it becomes a marriage.

Invisible AV. Lav mics on the officiant and the couple, discreet front-fill so the back row hears every word, uplighting that still reads in daylight, and a multi-camera stream with a clean feed for grandparents watching from overseas.

Inside, typically

  1. Swayambar
  2. Kanyadan
  3. Sindur & Pote
  4. Saptapadi
Ceremony protocol we follow
  • Newar families may hold the swayambar as a ceremony of its own, on a separate day. Tell us and it gets its own setup.
  • The ratyauli is women-only. We set it up in advance and leave.
  • Fixed power, very few rigging points and a tight load-in window. We scout it first.
  • The priest’s lav is the most important mic in the building.
  • Temple rules on shoes, cameras and music come first. We plan around them, not through them.
  • Lav mics
  • Officiant mic
  • Front-fill
  • Uplighting
  • Multi-cam stream
  • Assistive listening

The day

05 / 07

Ratyauli

Also: Ratauli, Ratyoli

The wedding night, while the janti is away

The women left at home take over: songs, dancing and skits that are not repeated in front of the men.

Sound set up beforehand that the room can run itself — and none of our crew in the room once it starts.

  • Self-run PA
  • Wireless mics
  • Playlist

The day

06 / 07

Bidaai

Also: Bidai, Vidaai, Dulahi Bhitryaune

After the ceremony — traditionally the next morning

The farewell, then the welcome into the new home with butter lamps and rice.

A music cue as the family walks, and light on the doorway.

Inside, typically

  1. Bidaai
  2. Dulahi Bhitryaune
  • Music cue
  • Exterior light

The day

07 / 07

Reception

Also: Bhoj, Bihe ko bhoj

The same evening, or the next

The whole guest list, dressed up, with nowhere to be in the morning.

Show design from the grand entrance on. Lighting cued to your entrance and the first dance, a gobo of your monogram, IMAG screens so the back tables see every speech, and a system that carries the dance floor until the venue says stop.

  • Line array
  • Moving heads
  • Gobo monogram
  • IMAG screens
  • Wireless mics
  • Uplighting

That’s the weekend.

Now let’s plan yours.

01 / 07 · Magani

Where it applies

The protocol we follow.

Not every family wants every rule, and culture isn’t the same as religion. We ask first — then we follow what applies, exactly.

  • Newar families may hold the swayambar as a ceremony of its own, on a separate day. Tell us and it gets its own setup.
  • The ratyauli is women-only. We set it up in advance and leave.

Every ceremony

  • The officiant’s mic matters more than the PA.
  • The back row hears the vows — that’s what the front-fills are for.
  • Nothing we bring should appear in your photographs.
  • Someone from our crew is at the desk for the whole ceremony, not just the start.

At a temple

  • Fixed power, very few rigging points and a tight load-in window. We scout it first.
  • The priest’s lav is the most important mic in the building.
  • Temple rules on shoes, cameras and music come first. We plan around them, not through them.

Hotels and ballrooms

  • House rigging, house power and in-house AV rules — we coordinate with the venue’s team before the site walk is over.
  • Many hotels restrict haze and some effects outright. We get the policy in writing before we design around it.
  • Load-in docks, freight elevators and union rules shape the schedule. We build the timeline from them.

Sangeet · Reception · Walima · After-party

Then the room changes.

Even the most traditional weekend usually has one loud night. Here’s what that night can look like.

  • Sound that hits

    Club-grade low end, and a DJ booth a touring DJ won’t complain about.

    Subs sized for the room and the guest count, not the catalogue. A proper booth: two monitors, a clean power run, a mic that cuts through, a flat surface that doesn’t wobble when the floor jumps.

    • Line array
    • Cardioid subs
    • DJ booth
    • Booth monitors
  • Haze and atmospherics

    Beams you can actually see.

    Moving lights only read as beams through haze. We run a fine water-based hazer, set low, so the room glows without anyone coughing through the speeches.

    The venue realityMany hotels, temples and some estates prohibit haze, or will trip their fire system on it. We get the venue’s policy before we promise you beams — and design a show that still looks great if the answer is no.

    • Hazer
    • Moving heads
    • Beam fixtures
  • Cold sparks, CO2 and confetti

    The grand entrance, the first-dance finish, the drop at midnight.

    Cold-spark fountains for the entrance and the first dance, CO2 jets on the drop, confetti for the last song. Cued from the booth, not guessed at.

    The venue realityVenues decide what’s allowed, and some need sign-off from the local fire authority. Cold sparks have no flame, but they’re still an effect — we confirm every one in writing before it goes on the run-of-show.

    • Cold-spark machines
    • CO2 jets
    • Confetti cannons
  • LED floor, 360 booth, projection

    Turn the room itself into the show.

    A light-up dance floor, a 360 video booth for the reel everyone will post, and projection on walls or ceiling — your monogram, a skyline, a slow sky of lanterns.

    • LED dance floor
    • 360 booth
    • Projection mapping
    • Gobo monogram
  • Silent disco

    The curfew hits at ten. The party doesn’t have to.

    Wireless headphones with two or three channels — the DJ on one, Bollywood on another, something slower on a third. When the venue or the city says the speakers go off, the dance floor keeps going.

    The venue realityThis is the answer to an outdoor noise ordinance or a hard venue curfew, and almost nobody pitches it. Ask about it at the first call if your venue has a cut-off.

    • Silent-disco headphones
    • Multi-channel transmitters
  • The after-party switch

    When the elders head home, the room changes over.

    We plan the moment: house lights down, haze up, the uplighting goes from warm to saturated, the subs come in and the DJ changes gear. Ten minutes from dinner room to club, with no one moving a table.

    • Lighting cue stack
    • Sub reinforcement
    • Room-wide colour change
  • Built for one in the morning

    A system that still sounds good at 1am.

    Open-bar timing, a late set that’s scheduled rather than improvised, and an operator who is still at the desk — not packing up — when the last song plays.

    The venue realityYour venue’s licence and the city’s ordinance set the real end time. We find out what it is, then build up to it.

    • Late-night crew
    • Show operator
    • Load-out after last song

However your family spells it

Nepali · janti · ratyauli · Magani · Magni · Mangni · Engagement · Mehendi & Haldi · Mehendi · Mehndi · Haldi · Sangeet · Janti · Jaanti · Jantee · Bariyat · Panche Baja · Sagun · Welcome at the door · Bihe · Biha · Vivah · Swayambar · Swayamvar · Swoyambar · Kanyadan · Sindur · Pote · Tilhari · Sindur & Pote · Saptapadi · Ratyauli · Ratauli · Ratyoli · Bidaai · Bidai · Vidaai · Dulahi Bhitryaune · Reception · Bhoj · Bihe ko bhoj

Get a quote

Let’s plan yours.

One afternoon or five nights, one tradition or two. Tell us what you know; leave blank what you don’t.

Names of the couple
Tradition — or traditions

Pick two for a fusion weekend.

How you want it
Will family be watching remotely?

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