Sakharpuda · Sangeet & Mehendi · Lagna · Varat

Marathi weddings.

A Marathi wedding builds to the mangalashtak: verse after verse sung by the priest and by the family, each ending “shubh mangal saavdhan,” until the antarpat drops and the akshata flies. Before it, the sakharpuda and the halad; after it, the varat and a reception.

We’re set up for a Marathi wedding — this is what we’d walk through with you, function by function.

A tearful woman in bridal jewellery embraces a relative in a green silk saree while older relatives, one in a white cap, look on.
Illustrative photo
A Maharashtrian couple seated at the havan, both wearing pearl mundavalya across their foreheads, garlanded, with pastel drapes behind.
Illustrative photo

Sakharpuda · Sangeet & Mehendi · Lagna · Varat

Every function, covered.

Choose your family’s tradition and how you want to celebrate. Every function, in the order your family will expect — and what we actually bring to each one.

Not quite your wedding? Every tradition we’re built for →

How you want it

Three to five days. The complete run, done properly — every function, elders front and centre, family abroad watching live.

Weeks before

01 / 07

Sakharpuda

Also: Sakhar Puda, Sakhar-puda, Vangnishchay, Waangnischay

Weeks to months before

Sugar, a sari, green bangles — the engagement, after which the invitations go out.

Speeches and background music, and a DJ if the families want a party.

  • Wireless mic
  • Compact PA
  • DJ setup

3 days before

02 / 07

Kelvan

Also: Kelvani

A few days before — each family separately

A puja to the family deity, then a meal with close relatives.

Usually nothing from us. A small speaker if the family wants music with the meal.

  • Compact speaker

2 days before

03 / 07

Sangeet & Mehendi

Also: Sangeet, Mehendi, Mehndi

A night or two before

Not traditionally Maharashtrian, and often added here — a full performance night.

A performance night run like a show. Intro videos cued per family group, a double-sided LED wall for playback, a confidence monitor so the dancers can see their own counts, moving heads for every number — and a line array that handles a live dhol and a DJ in the same room without either one turning to mush.

  • Line array
  • Double-sided LED wall
  • Moving heads
  • Cold sparks
  • Confidence monitor
  • Dhol mics
  • Show caller

1 day before

04 / 07

Halad Chadavane

Also: Halad Chadavne, Halad Chadhavne, Halad, Haldi

The day before, usually

Turmeric and married women’s songs — and, in a lot of Bay Area backyards, a playlist and a party.

Weather-rated speakers, wireless everything and nothing on the ground that can’t take turmeric. A playlist or a dhol, and a mic for the moments in between.

  • Battery speakers
  • Wireless mic
  • Weather-rated gear

The day

05 / 07

Leads the weekend

Lagna

Also: Lagn, Vivah, Antarpat, Mangalashtak

The wedding day

The antarpat held up, the mangalashtak sung, the cloth dropped at the muhurta and the akshata in the air.

The mangalashtak is the moment, and it’s sung by relatives as well as the priest — so handhelds are passed down the family, the priest gets a lav, and the antarpat drop gets its own music cue as the akshata flies. A locked camera on the drop, and the stream timed to it.

Inside, typically

  1. Seemant Pujan
  2. Gaurihar Puja
  3. Antarpat & Mangalashtak
  4. Varmala
  5. Kanyadaan
  6. Mangalsutra & Lajahom
  7. Saptapadi
  8. Karmasampti
Ceremony protocol we follow
  • The muhurta sets the ceremony time, and the whole wedding day is built backwards from it.
  • Fixed power, very few rigging points and a tight load-in window. We scout it first.
  • The priest’s lav is the most important mic in the building.
  • Temple rules on shoes, cameras and music come first. We plan around them, not through them.
  • Priest lav
  • Handhelds for the mangalashtak
  • Front-fill
  • Uplighting
  • Multi-cam stream

The day

06 / 07

Varat

Also: Grihapravesh, Gruhapravesh

After the ceremony

The send-off to the new home — sometimes with a band, sometimes just a car and a lot of waving.

Mobile sound if it’s a procession; a music cue and light on the doorway if it’s a car.

Inside, typically

  1. Varat
  2. Grihapravesh
  • Battery speaker
  • Music cue
  • Exterior light

The day

07 / 07

Reception

The same evening, or a day or two later

The whole guest list, dressed up, with nowhere to be in the morning.

Show design from the grand entrance on. Lighting cued to your entrance and the first dance, a gobo of your monogram, IMAG screens so the back tables see every speech, and a system that carries the dance floor until the venue says stop.

  • Line array
  • Moving heads
  • Gobo monogram
  • IMAG screens
  • Wireless mics
  • Uplighting

That’s the weekend.

Now let’s plan yours.

01 / 07 · Sakharpuda

Where it applies

The protocol we follow.

Not every family wants every rule, and culture isn’t the same as religion. We ask first — then we follow what applies, exactly.

  • The muhurta sets the ceremony time, and the whole wedding day is built backwards from it.

Every ceremony

  • The officiant’s mic matters more than the PA.
  • The back row hears the vows — that’s what the front-fills are for.
  • Nothing we bring should appear in your photographs.
  • Someone from our crew is at the desk for the whole ceremony, not just the start.

At a temple

  • Fixed power, very few rigging points and a tight load-in window. We scout it first.
  • The priest’s lav is the most important mic in the building.
  • Temple rules on shoes, cameras and music come first. We plan around them, not through them.

Hotels and ballrooms

  • House rigging, house power and in-house AV rules — we coordinate with the venue’s team before the site walk is over.
  • Many hotels restrict haze and some effects outright. We get the policy in writing before we design around it.
  • Load-in docks, freight elevators and union rules shape the schedule. We build the timeline from them.

Sangeet · Reception · Walima · After-party

Then the room changes.

Even the most traditional weekend usually has one loud night. Here’s what that night can look like.

  • Sound that hits

    Club-grade low end, and a DJ booth a touring DJ won’t complain about.

    Subs sized for the room and the guest count, not the catalogue. A proper booth: two monitors, a clean power run, a mic that cuts through, a flat surface that doesn’t wobble when the floor jumps.

    • Line array
    • Cardioid subs
    • DJ booth
    • Booth monitors
  • Haze and atmospherics

    Beams you can actually see.

    Moving lights only read as beams through haze. We run a fine water-based hazer, set low, so the room glows without anyone coughing through the speeches.

    The venue realityMany hotels, temples and some estates prohibit haze, or will trip their fire system on it. We get the venue’s policy before we promise you beams — and design a show that still looks great if the answer is no.

    • Hazer
    • Moving heads
    • Beam fixtures
  • Cold sparks, CO2 and confetti

    The grand entrance, the first-dance finish, the drop at midnight.

    Cold-spark fountains for the entrance and the first dance, CO2 jets on the drop, confetti for the last song. Cued from the booth, not guessed at.

    The venue realityVenues decide what’s allowed, and some need sign-off from the local fire authority. Cold sparks have no flame, but they’re still an effect — we confirm every one in writing before it goes on the run-of-show.

    • Cold-spark machines
    • CO2 jets
    • Confetti cannons
  • LED floor, 360 booth, projection

    Turn the room itself into the show.

    A light-up dance floor, a 360 video booth for the reel everyone will post, and projection on walls or ceiling — your monogram, a skyline, a slow sky of lanterns.

    • LED dance floor
    • 360 booth
    • Projection mapping
    • Gobo monogram
  • Silent disco

    The curfew hits at ten. The party doesn’t have to.

    Wireless headphones with two or three channels — the DJ on one, Bollywood on another, something slower on a third. When the venue or the city says the speakers go off, the dance floor keeps going.

    The venue realityThis is the answer to an outdoor noise ordinance or a hard venue curfew, and almost nobody pitches it. Ask about it at the first call if your venue has a cut-off.

    • Silent-disco headphones
    • Multi-channel transmitters
  • The after-party switch

    When the elders head home, the room changes over.

    We plan the moment: house lights down, haze up, the uplighting goes from warm to saturated, the subs come in and the DJ changes gear. Ten minutes from dinner room to club, with no one moving a table.

    • Lighting cue stack
    • Sub reinforcement
    • Room-wide colour change
  • Built for one in the morning

    A system that still sounds good at 1am.

    Open-bar timing, a late set that’s scheduled rather than improvised, and an operator who is still at the desk — not packing up — when the last song plays.

    The venue realityYour venue’s licence and the city’s ordinance set the real end time. We find out what it is, then build up to it.

    • Late-night crew
    • Show operator
    • Load-out after last song

However your family spells it

Marathi · maharashtrian · mangalashtak · Sakharpuda · Sakhar Puda · Sakhar-puda · Vangnishchay · Waangnischay · Engagement · Kelvan · Kelvani · Sangeet & Mehendi · Sangeet · Mehendi · Mehndi · Halad Chadavane · Halad Chadavne · Halad Chadhavne · Halad · Haldi · Lagna · Lagn · Vivah · Antarpat · Mangalashtak · Mangalashtaka · Mangalashtake · Shubh Mangal Saavdhan · Seemant Pujan · Gaurihar Puja · Antarpat & Mangalashtak · Varmala · Kanyadaan · Mangalsutra & Lajahom · Saptapadi · Karmasampti · Varat · Grihapravesh · Gruhapravesh · Reception

Get a quote

Let’s plan yours.

One afternoon or five nights, one tradition or two. Tell us what you know; leave blank what you don’t.

Names of the couple
Tradition — or traditions

Pick two for a fusion weekend.

How you want it
Will family be watching remotely?

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