Mehndi · Garba & Raas · Sangeet · Jaan
A Gujarati wedding is a run of long nights before it is a ceremony — garba circles that go past midnight, the mameru arriving with music, a jaan that dances all the way to the door — and then the most precise hour of the weekend under the mandap. It needs 360° sound for the raas and a ceremony nobody notices we’re running.
We’re set up for a Gujarati wedding — this is what we’d walk through with you, function by function.
Mehndi · Garba & Raas · Sangeet · Jaan
Choose your family’s tradition and how you want to celebrate. Every function, in the order your family will expect — and what we actually bring to each one.
Not quite your wedding? Every tradition we’re built for →
How you want it
Three to five days. The complete run, done properly — every function, elders front and centre, family abroad watching live.
3 days before
01 / 10
Also: Mandap Mahurat, Mangal Muhurat, Ganesh Sthapana, Ganesh Matli
A day to a few days before — it starts the wedding
A morning puja at each family’s home: Ganesh sthapana, griha shanti, the mandap blessed. The wedding officially begins here.
Most families need nothing from us here. If you’d like it, a small speaker for devotional music and a mic so the back of the room hears the priest — set up quietly and gone before lunch.
2 days before
02 / 10
Also: Mehendi, Mehandi, Henna night, Mendhi
About two days before
An evening of henna and lagna geet — and, very often, the first garba circle of the week.
Warm, soft light for the henna artists, small speakers for the songs, a hand mic for whoever is leading the lagna geet, and floor space left clear for the warm-up garba that always starts. A livestream for the family overseas.
2 days before
03 / 10
Also: Sanji, Sanjhi, Sangeet Sandhya, Garba night
One to three nights before — and often more than one night
Hundreds of people moving in rings for four hours straight. The most Gujarati night of the weekend.
A garba floor is a circle, not an audience, so it gets 360° coverage instead of a front-facing stage rig: distributed fills so the far edge of the ring hears the same beat as the centre, aligned so nothing smears. Amps and crew built for a four-to-six-hour set. Cables and stands kept clear of the circles, the dandiyas and the lamp at the centre. Lighting designed to read from above, because everyone is always facing a different way. Many families run it across more than one night — we plan for the repeat load-in.
1 day before
04 / 10
Also: Sangeeth, Sangit, Sangeet Sandhya, Sangeet night
Often the same night as the garba, or the night before it
The choreographed night — family performances, speeches, a stage and screens. Many Gujarati families fold it into the garba.
A performance night run like a show. Intro videos cued per family group, a double-sided LED wall for playback, a confidence monitor so the dancers can see their own counts, moving heads for every number — and a line array that handles a live dhol and a DJ in the same room without either one turning to mush.
1 day before
05 / 10
Also: Pithi ceremony, Pithi Chadhavvi, Gujarati haldi, Haldi
The day before, at each family’s home
Turmeric paste, lagna geet, and a family laughing too hard to finish the song.
Weather-rated speakers, wireless everything and nothing on the ground that can’t take turmeric. A playlist or a dhol, and a mic for the moments in between.
1 day before
06 / 10
Also: Mosalu, Mosaalu, Mameru ceremony
Usually the day before
The maternal uncle’s family arrives with gifts — the panetar, the jewellery — often in a small procession of its own, with music.
A battery speaker that can walk with them up the driveway, and a mic for the moment the gifts are presented.
The day
07 / 10
Also: Jan, Varghodo, Var Ghodo, Baraat
The wedding day, just before the ceremony
The arriving family dances its way to the door behind a dhol or a full band — and stops only for the ponkhvu welcome.
Fully mobile sound: a battery PA on a cart and wireless mics on the dhol, loud enough for a procession and inside the venue’s outdoor-sound rules. At the door we cut cleanly to the indoor system, so the ponkhvu gets its own moment instead of competing with the band.
Inside, typically
The day
08 / 10
Leads the weekend
Also: Lagan, Vivah, Hasta Melap, Hast Milap
The wedding day
The mandap, the priest, the four mangal feras. The most precise hour of the weekend.
The mandap is the stage, and nothing of ours should be in its photographs. Lav mics on the priest and the couple, front-fill so the back row hears every word of the four mangal feras, a music bed for the antarpat entrance, and uplighting tuned to the mandap’s own décor. A multi-camera stream with a clean, captioned feed for family watching from India in the middle of their night.
Inside, typically
The day
09 / 10
Also: Vidai, Bidaai, Bidai
After the ceremony, or at the end of the reception
The hardest ten minutes of the weekend, and the quietest.
A music bed chosen in advance and cued the moment the family starts walking — or silence, if that’s what they want. Light that holds on the doorway and the car.
The day
10 / 10
The evening of the ceremony, or a night after
Dinner, speeches, a grand entrance — and a dance floor that turns into one last garba before the night is out.
Show design from the grand entrance on. Lighting cued to your entrance and the first dance, a gobo of your monogram, IMAG screens so the back tables see every speech, and a system that carries the dance floor until the venue says stop.
01 / 10 · Mandap Muhurat
Where it applies
Not every family wants every rule, and culture isn’t the same as religion. We ask first — then we follow what applies, exactly.
Sangeet · Reception · Walima · After-party
Even the most traditional weekend usually has one loud night. Here’s what that night can look like.
Club-grade low end, and a DJ booth a touring DJ won’t complain about.
Subs sized for the room and the guest count, not the catalogue. A proper booth: two monitors, a clean power run, a mic that cuts through, a flat surface that doesn’t wobble when the floor jumps.
Beams you can actually see.
Moving lights only read as beams through haze. We run a fine water-based hazer, set low, so the room glows without anyone coughing through the speeches.
The venue realityMany hotels, temples and some estates prohibit haze, or will trip their fire system on it. We get the venue’s policy before we promise you beams — and design a show that still looks great if the answer is no.
The grand entrance, the first-dance finish, the drop at midnight.
Cold-spark fountains for the entrance and the first dance, CO2 jets on the drop, confetti for the last song. Cued from the booth, not guessed at.
The venue realityVenues decide what’s allowed, and some need sign-off from the local fire authority. Cold sparks have no flame, but they’re still an effect — we confirm every one in writing before it goes on the run-of-show.
Turn the room itself into the show.
A light-up dance floor, a 360 video booth for the reel everyone will post, and projection on walls or ceiling — your monogram, a skyline, a slow sky of lanterns.
The curfew hits at ten. The party doesn’t have to.
Wireless headphones with two or three channels — the DJ on one, Bollywood on another, something slower on a third. When the venue or the city says the speakers go off, the dance floor keeps going.
The venue realityThis is the answer to an outdoor noise ordinance or a hard venue curfew, and almost nobody pitches it. Ask about it at the first call if your venue has a cut-off.
When the elders head home, the room changes over.
We plan the moment: house lights down, haze up, the uplighting goes from warm to saturated, the subs come in and the DJ changes gear. Ten minutes from dinner room to club, with no one moving a table.
A system that still sounds good at 1am.
Open-bar timing, a late set that’s scheduled rather than improvised, and an operator who is still at the desk — not packing up — when the last song plays.
The venue realityYour venue’s licence and the city’s ordinance set the real end time. We find out what it is, then build up to it.
Gujarati · garba sound system · dandiya night lighting · Mandap Muhurat · Mandap Mahurat · Mangal Muhurat · Ganesh Sthapana · Ganesh Matli · Griha Shanti · Grah Shanti · Mandvo · Mehndi · Mehendi · Mehandi · Henna night · Mendhi · Garba & Raas · Sanji · Sanjhi · Sangeet Sandhya · Garba night · Raas Garba · Raas-Garba · Dandiya Raas · Dandiya · Sangeet · Sangeeth · Sangit · Sangeet night · Pithi · Pithi ceremony · Pithi Chadhavvi · Gujarati haldi · Haldi · Mameru · Mosalu · Mosaalu · Mameru ceremony · Jaan · Jan · Varghodo · Var Ghodo · Baraat · Barat · Agaman · Ponkhvu · Ponkhnu · Ponkhana · Lagna · Lagan · Vivah · Hasta Melap · Hast Milap · Mangal Fera · Mangal Phera · Saptapadi · Jaimala · Madhuparka · Antarpat & Kanya Aagman · Kanyadaan · Sindoor & Mangalsutra · Kansar · Vidaai · Vidai · Bidaai · Bidai · Reception
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